Musikinstrumente, Schlagzeug & Percussion online kaufen
Willkommen in unserem umfassenden Schlagzeug & Percussion Shop. Ob Sie hochwertige Mallets, professionelle Drumsets oder spezielles Orchester-Schlagwerk suchen – bei Musik-Dinge finden Kenner und Einsteiger eine der größten Auswahlen Österreichs. Stöbern Sie durch über 3.000 Artikel und profitieren Sie von unserer Expertise als Fachhandel in Wien.
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In den WarenkorbFreer Percussion Chime Mallet Freer CH1, Red Phenolic
76,90 €Freer Percussion Chime Mallet Freer CH1, Red Phenolic (1 Stück)inkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFreer Percussion Chime Mallet Freer CH2, Black Phenolic
76,90 €Freer Percussion Chime Mallet Freer CH2, Black Phenolic (1 Stück)inkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFreer Percussion Chime Mallet Freer CH3, Grey PVC
78,90 €Freer Percussion Chime Mallet Freer CH3, Grey PVC (1 Stück)inkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFreer Percussion Chime Mallet Freer CH4, Brown Linnen Phenolic
82,00 €Freer Percussion Chime Mallet Freer CH4, Brown Linnen Phenolic (1 Stück)inkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFreer Percussion Triangle Beater Freer TB, Brass
39,80 €Freer Percussion Triangle Beater Freer TB, Brass The brass alloy composition makes for a beater that is a little less articulate and mellower in sound than stainless steel. The tapered front tip facilitates dynamic playing especially in soft to loud rolls. Has a soft latex rubber grip for comfort and non slip grip. The difference between the TSS and the TB models is the clarity of sound. Both sound great on any triangle. I personally use the stainless version as my general beater and the brass version for more legato and blending parts. The Freer Percussion TB triangle beater is the same unique teardrop shape and design as the TSS model but made of a custom brass alloy. Weight .08 lbs Dimensions 9.5 × .25 × .25 ininkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFreer Percussion Triangle Beater Freer TSSC, Steel Carbon
45,50 €Freer Percussion Triangle Beater Freer TSSC, Steel Carbon Freer Percussion stainless and brass triangle beaters now available on a 1/8″ diameter carbon fiber shaft. The difference in response and action from carbon fiber is vast from that of a steel shaft. The carbon fiber shaft offers a small amount of flex and “whip” to the rebound and response of the beater head; this not only absorbs shock, but also aids and facilitates rolls to a large degree. You will find the feel to be very easy to roll with, and the sound to have less attack and more triangle sound than contact sound from the beater. The TBC triangle beater is the same unique teardrop shape and design as the TSSC model, but made of a custom brass alloy. The brass alloy composition makes for a beater that is a little less articulate and mellower in sound than stainless steel. The tapered front tip facilitates dynamic playing especially in soft to loud rolls. It has a soft latex rubber grip for comfort and non slip grip. The difference between the TSS and the TB models is the clarity of sound. Both sound great on any triangle. I personally use the stainless version as my general beater, and the brass version for more legato and blending parts. Weight .08 lbs Dimensions 8 × .25 × .25 ininkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFreytag, Edward: The Legend of Funky Fat – a rudimental feature for the concert hall
35,00 €Freytag, Edward: The Legend of Funky Fat a rudimental feature for the concert hall Niveau: Fortgeschrittene/Klasse VI Spieler: 4 - 12 Länge: 3:56 Instrumentierung: Marching Snare(s), Marching Tenors, Ride Cymbals, Crash Cymbals, Cowbell(s), (2) oder (4) Marching Bass Drums The Legend of Funky Fat kann als rudimentäres Quartett oder mit einer kompletten Marching Drum Line aufgeführt werden.inkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFreytag, Edward/Dudek, Keith: The Orchemental Snare Collection
17,60 €The Orchemental Snare Collection - 28 S.; 8 Solos, 4 Duette; Orchester- und Rudimental-Technik; leicht bis mittelschwer Dive into this magnificent collection of 8 snare drum solos and 4 duets by Edward Freytag and Keith Dudek! This collection contains material utilizing both concert & rudimental styles. Includes performance notes and "rudiments contained" listing for each individual piece. A MUST HAVE!!inkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFreytag, Edward/Duggan/Lynch/Whitlock: The Rudimental Cookbook
33,90 €Freytag, Edward/Duggan/Lynch/Whitlock: The Rudimental Cookbookinkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFriedman, David: 7 Etudes for Vibraphone and Piano
29,50 €7 Etudes for Vibraphone and Piano - Etudes from "Vibraphone Technique",arrang. for Vibra and Piano; Jazz-Titles, 4 malletsinkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFriedman, David: Almost Blue for Vibraphone
17,90 €Almost Blue for Vibraphone - 4 Min.; 4 Schlägel, Jazz-Titel aus der CD "Weaving through motion", schwerinkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFriedman, David: Bettina dreams of the Garden of Elves for Vibraphone
19,90 €Bettina dreams of the Garden of Elves for Vibraphone - 7 S.; a musical fairy tale; 4 Schl.; schwerinkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFriedman, David: Charlie Chaplin for Solo Marimba
27,90 €Friedman, David: Charlie Chaplin for Solo Marimbainkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFriedman, David: Five tonal Haikus for solo Vibraphone
17,90 €Five tonal Haikus for solo Vibraphone - 6 S.; 4 Schl.; mittel bis schwer, 5 kurze Titel: Ancient Parchment, Dance of the Sylphs, Rainy Sunday, Childhood, Walking on Eggsinkl. MwSt.
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Lieferzeit: ca. 5 Werktage
In den WarenkorbFriedman, David: Lyrical Studies for The Contemporary Vibraphonist
39,90 €Lyrical Studies for The Contemporary Vibraphonist - 38 S.; 12 Solos und Etüden für Vibraphone; Phrasierung, Pedalisierung, Schwerpunkt lyrische Spielweise; mittel bis schwer When “Vibraphone Technique, Dampening and Pedaling” saw the light of day almost 60 years ago, I would never have dreamed of its impact on the evolution of the vibraphone world wide. My motivation for writing it was quite simple. It started with a question; How can I inspire students and colleagues to invest their time and energy in the creation of an illusion, not unlike a magician’s “sleight of hand”? The “illusion”, in this case, is the development of techniques which make a percussive melodic instrument sound like the human voice. The ultimate example of this is the human voice, the sonic representation of true lyricism. The best compliment I ever got from a critic was, “Friedman sings on his instrument”. It encouraged me to continue confronting the challenges of trying to overcome the natural limitations of the vibraphone. The human voice has been and still is my goal. What are the specifics in getting there? The broad answer is, phrasing in the most sophisticated manner; using dampening to create true legato, slurs, exaggerating dynamics between notes, employing the proper pedaling to support the effect, and all of this perhaps within the phrasing of one measure. The result of this conscious phrasing can be lyricism, the “illusion” of being a violin, saxophone, clarinet, or, at best, the human voice. We can learn to “sing” on our instrument: Lyricism and melody are often synonymous, but not always. We think of a beautiful melody as having a lyrical arc, connecting the notes in a legato fashion, most fitting for the human voice. A melody can also have the opposite quality. It can be “pointillistic” in nature, with short, staccato notes, seemingly disconnected. This kind of melody is perfect for the tempered instrument. On the vibraphone, one can simply avoid using the pedal and play without dynamics. With my new book, “Lyrical Studies for The Contemporary Vibraphonist”, the focus is on lyrical playing, introducing phrasing and pedaling techniques, which build on the challenges in “Vibraphone Technique, Dampening and Pedaling”. Here, different styles of playing are introduced. One can listen to the audio file of each piece, or “etude”. Visual examples of how to execute certain phrasing techniques are also included. Although each piece was an improvisation, each one is based on a musical idea and specific phrasing challenge. I hope you enjoy playing them as much as I did creating them. One quick thought: Because the etudes were improvised, there are some small discrepancies between the phrasing of the “examples” and the etudes themselves. I did my best to play the “examples” as close to the originals as possible. However, striving for perfection can sometimes be the enemy of spontaneous creation. David Friedman, Berlin, Feb.10th, 2024 Table of Contents 1. Slow Groove 2. Slow Lyrical 3. 6ths 4. 1/2 Step Dampening 5. Major 7th and Diminished Triplets 6. Other World Harmonies 7. New Polyphonic Groove 8. 3rds Cakewalk 9. Country in 4 10. Polyphonic Miniature 11. New Polyphonic Rubato 12. Freddie Green Bluesinkl. MwSt.
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Lieferzeit: ca. 5 Werktage
Ihr Experte für Schlagwerk und Orchesterbedarf
Als spezialisierter Instrumentenfachhandel bieten wir mehr als nur Standard-Ausrüstung. Unser Sortiment reicht von präzisen Mallets für Marimbaphonisten bis hin zu robuster Hardware für Schlagzeuger. Wir führen Marken, die im professionellen Orchesterbetrieb ebenso geschätzt werden wie im Studio.
Warum bei Musik-Dinge online kaufen?
Riesige Auswahl: Mit über 3.000 Produkten decken wir die gesamte Welt des Rhythmus ab.
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